Scott Walker

It's been a couple years since he died, but I wanted to put up something to commemorate Scott Walker. (That's Noel Scott Engel, by the way, the musician, not the goggle eyed homunculus former governor of Wisconsin, who dragged the good name through the mud.) Walker started as a fairly straightforward pop singer, with the Walker Brothers, then shifted to a more sophisticated, darker style as a solo artist, Jacques Brel style, rich ballads with detailed stories and scenes, that became more experimental and surrealist as he went along. He then faded for a while - doing half-hearted pop projects in the 70s, surfacing every decade or so afterwards to release another record of increasingly difficult and experimental material. And then, mid-2000s, he must have found something - because after releasing records in 1984 and 1995, he released three in fairly short order, in 2006, 2012 and 2014, the third with Sunn O))). These records are, to be sure, daunting experiences - but fascinating, lyrically intense and detailed, musically surprising, and anchored as always by Walker's voice.

That's his life. When did I hear of him? Somewhere in the early 2000s, I imagine, a time when I discovered a lot of prog and experimental rock. Japanese noise bands like the Boredoms and Acid Mother's Temple led me to Krautrock and the more adventurous strands of Prog (Van der Graf Generator or Soft Machine), and somewhere in there, that led me to Scott Walker, specifically the old Scott records. I fell for immediately - the complex, dense pop sounds - the stories and images, the sad powerful melodies, and that voice, deep, rich, expressive crooning - I loved it. And the later records worked as well - they might fit even better with my taste for experimental rock, jazz and the like - fragmentary, constructed pieces, anchored by the voice.

And there we are. He was one of those people who is massively influential, but had become almost completely unknown. But you hear him in those prog groups (Pete Hamill in particular), in Nick Cave, I can hear him in PJ Harvey, Radiohead and a lot of similar British groups, as well as in acts that picked up his style almost whole - David Sylvain, notably. (Another favorite). It is strange to think that he was in fact very popular in the 60s, given how obscure he could seem in the present - though never completely gone. Sneaking into soundtracks (Futurama! Life Aquatic!), things like that. (Though so many of his songs sound like complete soundtracks unto themselves.) He was one of the good ones.

Some video: starting with the Walker Brothers, The Sun Ain't Gonna Shine Any more:



Finding performance video of Walker is very hard. The Walker Brothers were on TV enough (and tapes are preserved), but those aren't live. Walker had his own TV show for a while, but I don't think the video survives - but audio does. This is a recording of It's Raining Today, from his show:



Jump ahead 26 years and what do we find? Jools Holland presenting Walker, live, in the studio, with Rosary, from the Tilt album - full on late career Scott Walker, and live to boot:



What the late albums had, though, are very interesting videos made for their songs. Experimental films to match the experimental music. This is Brando, from Soused, the album Walker made with Sunn O))) - one of the strangest combinations you could imagine, except it makes perfect sense. Walker's deep voice and the band's low end guitar drones - Walker always liked drones (those old songs - like It's Raining Today - are often built on drones) and he fits in almost seamlessly with them. It's an excellent record, that one, a fitting end to his career.