Showing posts with label 2014 list. Show all posts
Showing posts with label 2014 list. Show all posts

Sunday, February 14, 2016

Best Films of 2015

I am much later getting this posted than usual. I usually try to force myself to do it right at the beginning of the year - but there are always films coming out in January that should be under consideration, so it's always tempting to wait a bit. And when you wait a couple days to get Carol in, it's easier to wait another week for Revenant, and another for Son of Saul - and before you know it, it's February. And then your copy of Out 1 arrives, and that is what you do for a week or two. And yes, I know, I'm lazy. But here we are.

Was it a good year for film? Not bad. Lots of good films - maybe not so much obviously magnificent. I've felt that way the last couple years - no lack of enjoyable, intelligent films - but not as many that jump out to grab you. Maybe it's me - maybe it's the industry, turning into television, where even the good stuff gets flattened out somehow. Changes in technology and distribution and viewing habits and the critical environment all might be leading to a world of smaller feeling, more modest films. It feels like it's been that way for a while - I'm not sure there are any films from the 2010s that would make a top 10 of the 2000s. I don't know. This is the kind of thing that can shift very quickly - something can click, and a host of films I thought were nice and accomplished could look like masterpieces. I can't separate perception from what I am perceiving here. And I know this can follow my viewing habits - and I have become rather complaisant about seeing films, not chasing down titles in every special series the way I have. That can change too. So leave it. It's not like it's a bad thing - a world of reliably enjoyable and moving films is not a world to complain about.

And so? the films, cut a couple ways. First - things released in 2015, whatever their age:

1. Winter Sleep
2. The Look of Silence
3. The Forbidden Room
4. The Assassin
5. Phoenix
6. Adieu au Langage
7. Tangerine
8. The Clouds of Sils Maria
9. About Elly
10. The Wolfpack
11. Taxi
12. Jauju
13. Youth
14. Carol
15. The Big Short
16. Diary of a Teenaged Girl
17. Son of Saul
18. The Tribe
19. The Revenant
20. Bridge of Spies
21. Mustang
22. What We Do In the Shadows
23. The Hateful 8
24. Don't Think I've Forgotten: Cambodia's Lost Rock and Roll
25. Grandma

Made in 2015 - a first cut:

1. The Look of Silence
2. The Forbidden Room
3. The Assassin
4. Tangerine
5. The Wolfpack
6. Taxi
7. Youth
8. Carol
9. The Big Short
10. Diary of a Teenaged Girl

And to take the chance to look back a year - what about 2014? This is what I posted at the end of the year:

1. Boyhood
2. Grand Budapest Hotel
3. The Babadook
4. Inherent Vice
5. The Rover
6. Love is Strange
7. Mr. Turner
8. Citizenfour
9. Force Majeure
10. Cavalry

And this is the tally now:

1. Boyhood
2. Winter Sleep
3. Grand Budapest Hotel
4. Phoenix
5. Babadook
6. Adieu au Langage
7. Inherent Vice
8. Clouds of Sils Maria
9. Leviathan
10. The Rover
11. Mr. Turner
12. Love is Strange
13. Juaju
14. Two Days, One Night
15. Citizen Four
16. Actress
17. Force Majeure
18. A Girl Walks Home Alone at Night
19. The Tribe
20. What We Do In the Shadows
21. Don't think I've Forgotten
22. Cavalry
23. Selma
24. 20,000 Days on Earth
25. 99 Homes

Sunday, February 22, 2015

Annual Not-About-Academy-Awards Best in Category Post

Well - Oscar inspired, but that's about all. Not even really against the OPscars - every year, there seems to be another Awards-Are-Bad-for-Art thumbsucker - this is not that. I don't care much about the Academy Awards, but the industry does, so who am I to complain about their enjoyment? No - it's just that the Oscars provide an excellent excuse to run through the various categories, and make my own lists. I like making lists. So here we go. With some comments on the Oscars as we go, but that is secondary.

Best Picture:

I managed to see 5 of the nominees. I should see American Sniper, and probably will eventually; I should never have seen Imitation Game, as it annoyed me. That's life. I don't know for sure what will win - there might have been a time when Selma would have won (a big, serious historical epic) - or American Sniper (which for good or ill seems to allow everyone to see what they want in it) - but neither seem right for this year. So I don't know. Boyhood might do it - of the nominees, it should win. Now - as for snubs - thinking just about films that are on the radar of the academy (I doubt Jim Jarmusch counts) - well: I'm not sure. There were lots of films that seem as good as the ones that got nominated, even in theory - and in fact, certainly, Mr. Turner or Love is Strange or The Immigrant seem like better films than some of what got nominated. Though 4 of the films I saw this year were obvious and proper choices - Boyhood, Birdland, Selma and Grand Budapest Hotel - even in a 5 film field, those would have been strong contenders. American Sniper might be there too. The rest seem to be throwbacks to the old days of nominating Oscar Bait films instead fo real films (the other 5 are real films, whatever you think of them - all of them would exist without any reference to the Oscars; I can't say that of the Imitation Game, say.) I don;t have any single disappointments here - I have some opinions on some of the other nominations though.

So - my choices - this is basically a top 5 for the year, though I tried to stick to films that were eligible. 2 of them did get nominated, which is nice:

1. Norte, The End of History [seeing it a second time moved it up from the #2 spot I had at the end of last year - this is a very fine movie.]
2. Boyhood
3. Only Lovers Left Alive
4. Disappearance of Eleanor Rigby Her/Him
5. Grand Budapest Hotel

Director:

Last year this time, there was argument about how the expanded best picture nominations cut the number of total films nominated - with all the best director nominees coming from the same films. This year, they broke that once - Foxcatcher - which I didn't see... The others are good choices - 3 of mine got on their list. As for what will and should win - I half suspect that Boyhood and Birdman will split these.

My choices:

1. Linklater - Boyhood
2. Inarritu - Birdman
3. Anderson _ Grand Budapest Hotel
4. Diaz - Norte, the End of History
5. Anderson - Inherent Vice

Lead Actor:

I only saw two of these - the others might be worthy, but I barely care. Cumberbatch was very good, but the film was not, so I have to root for Mr. Keaton. Who was outstanding in a very good film... This is a category I think the academy could have improved - lots of performances that should have been here, somewhere - Joaquin Phoenix in Inherent Vice, Spall in Mr Turner - Coltrane in Boyhood - Oyelowo in Selma! Inherent Vice should not have been shut out like this - there are a lot of places where it should have gotten something. This was a deep pool, and I'm not sure how 2 impersonations of famous Englishmen got there in place of anything else.

My choices:

1. Ralph Fiennes - Grand Budapest Hotel
2. Joaquin Phoenix - Inherent Vice
3. Timothy Spall - Mr. Turner
4. Guy Pearce - The Rover
5. Benecio De Toro - Jimmy P

Lead Actress:

I only saw two of these, too. I imagine this is Julianne Moore's to lose, and that's probably justified - she is always superb. I wish they'd put in some of the performances I liked - Cotillard in The Immigrant, or real long shots like Tilda Swinton in Only Lovers Left Alive or Jessica Chastain in The Disappearance of Eleanor Rigby (a film in general I wish had gotten more attention - I know it's 4 hours long; and maybe it wasn't actually eligible this year - but it was still something to see. Chastain was wonderful, as she usually is.) Overall, this is category with some very good work, that didn't get much acknowledgement. (And if the performances that were nominated that I didn't see are worthy, that just shows the depth.)

Mine:

1. Swinton - Only Lovers Left Alive
2. Chastain - Disappearance of Eleanor Rigby (even just for Her!)
3. Scarlett Johanson - Under the Skin
4. Hilary Swank - The Homesman
5. Cotillard - The Immigrant [being perverse - nothing wrong with her performance for the Dardennes; that's worthy]

Supporting Actor:

Everyone seems to think this will be JK Simmons - who is so good in everything he does that he probably will, and probably should. (I haven't seen it, but I'll take the academy's word for it.) Though I'd go with Norton, out of this bunch. Missing? yeah - lots of stuff missing, though the ones that are there might be fine.

1. Edward Norton Jr. - Birdman
2. Josh Brolin - Inherent Vice
3. Chris O'Dowd - Calvary
4. Ethan Hawke - Boyhood
5. Benecio Del Toro - Inherent Vice

Supporting Actress:

I would assume, and hope, this goes to Patricia Arquette - the rest? who knows.

1. Patricia Arquette - Boyhood
2. Carmen Ajogo - Selma
3. Emma Stone - Birdman
4. Tilda Swinton - Snowpiercer
5. Viola Davis - Disappearance of Eleanor Rigby

Original Screenplay:

This was a strong category, I think - I saw three of the nominations, and they were all deserving; the others maybe. I hope Wes Anderson wins - but no complaints for Birdman or Boyhood.

1. Grand Budapest Hotel
2. Boyhood
3. Only Lovers Left Alive
4. Listen Up, Philip
5. Force Majeure

Adapted Screenplay:

This one is harder - I didn't see most of them; not sure which scripts I did like were adapted. I am grateful that Inherent Vice got at least one nomination. No idea what will win, though.

1. Inherent Vice
2. Norte (if you consider it an adaptation of Dostoevsky, which might be a stretch)
3. Jimmy P
4. A Most Wanted Man
5. Love is Strange (probably cheating again - it might be a remake, but I don't know if it's adapted.)

Cinematography:

Another category where I approve of the nominations - not always the case in cinematography, where sometimes dull beauty wins over innovation and service to the story. Birdman will probably win, but all are good choices.

1. Birdman
2. Ida
3. Grand Budapest Hotel
4. Under the Skin
5. Mr. Turner

Editing:

How Birdman didn't get a nomination here is beyond me; editing is about deciding when and how to cut - not cutting is as much an editing decision as cutting, and pretending not to cut is even more so. Still - the way Boyhood was made makes me think it had to be created on the editing table, and what came out is a masterpiece, so - I hope it wins.

1. Boyhoood
2. Birdman
3. Babadook
4. Selma
5. Grand Budapest Hotel

Documentary:

Saw three of the nominated films - they make my top 5 too...

1. CitizenFour
2. Actress
3. 20,000 Years on Earth
4. Last Days in Vietnam
5. Finding Vivian Maier

Foreign:

This is Ida's to lose,right? A local theater had both Timbuktu and Leviathan playing this week, but were closed today, so they could clean off the roof - great.. Anyway. The nomination process for these is too strange for me to say much about...

1. Norte
2. Jealousy
3. The Dance of Reality
4. Ida
5. Like Father, Like Son

And I guess that will do it!

Saturday, January 17, 2015

Best Films of 2014

I have waited a couple weeks into the year to do this, for obvious reasons - Inherent Vice was released on the 9th - and I had to see it. It was a happy fact that Mr. Turner was also released last week, so I got to add 2 films fairly hight up the list.

What kind of year was 2014? for me as a filmgoer, my bad film watching habits continue. I am lazy in my dotage. I keep oping it will change, but it hasn't in the last few years, so probably not much hope of changing this year. As a blogger, it was terrible - I managed a couple posts for Wonders in the Dark's Romance countdown - a history post for Citizenfour - an Oscar post, of all things - and, I am relieved to discover, a post about the best film of 2013, Inside Llewyn Davis. (A strong contender for best of the decade, I think. Being one who counts decades alphabetically - the 10s start with the 1 in the 10s place - we are halfway through the decade already. That is a list I ought to contemplate as well. If I start now, I might get it posted before the 20s.) All in all - not much writing this year. I have to rectify that.

And for the films? Like a lot of years, there were stretches where there didn't seem to be anything around. (It would feel that way right now if I didn't have the option to keep seeing Inherent Vice every week, and go see Boyhood again.) I don't if that is justified - there are films put now that people seem to like... Looking back - it's not a bad year. Though maybe nothing quite overwhelming. I don't know. A very respectable year, rather than an exciting one.

All right - on with it: best 25 released (more or less) in Boston, in 2014:

1. Boyhood
2. Norte, the End of History
3. The Missing Picture
4. Only Lovers Left Alive
5. Disappearance of Eleanor Rigby Her/Him
6. Grand Budapest Hotel
7. The Babadook
8. Ida
9. Inherent Vice
10. The Rover
11. Love is Strange
12. Mr Turner
13. Dance of Reality
14. Like Father Like Son
15. The Immigrant
16. Citizenfour
17. Jimmy P
18. Force Majeure
19. Nymphomaniac (Vol 1)
20. Cavalry
21. 20,000 Days on Earth
22. A Girl Walks Home Alone at Night
23. Abuse of Weakness
24. Ernest & Clestine
25. Listen Up Philip

Not a bad collection, really. And the 10 best films made and debuted in 2014:

1. Boyhood
2. Grand Budapest Hotel
3. The Babadook
4. Inherent Vice
5. The Rover
6. Love is Strange
7. Mr. Turner
8. Citizenfour
9. Force Majeure
10. Cavalry

And now to look back at 2013 - starting with what I posted at the beginning of this year:

1. 12 Years a Slave
2. Blue is the Warmest Color
3. Inside Llewyn Davis
4. Computer Chess
5. Ain't them Bodies Saints
6. The Great Beauty
7. Upstream Color
8. Before Midnight
9. Enough Said
10. I Used to Be Darker

And now, what looks like the best of 2013, a year later:

1. Inside Llewyn Davis
2. Norte, the End of History
3. 12 Years a Slave
4. Blue is the Warmest Color
5. The Missing Picture
6. Only Lovers Left Alive
7. Disappearance fo Eleanor Rigby
8. A Touch of Sin
9. Jealousy
10. Ida
11. Dance of Reality
12. The Past
13. Computer Chess
14. Ain't them Bodies Saints
15. Like Father Like Son
16. The Immigrant
17. Jimmy P
18. Nymphomanac V 1
19. Abuse of Weakness
20. The Great Beauty
21. Her
22. American Hustle
23. Under the Skin
24. We're the Best
25. Upstream Color